Desolation Ghosts is a 65,000-word adult literary fiction novel in the vein of The Human Stain. It is set in North Cascades National Park and is about a missing traumatized female veteran with alcohol and relationship addictions who changes her mind about killing herself, but then falls off a mountain and must survive in the wilderness while park rangers battle over how much effort should be spent to locate her. The story takes place during the Covid-19 pandemic and the beginning of law enforcement reforms following the 2020 Black Lives Matter protests. This book will appeal to readers who are interested in national parks, outdoor recreation, the Pacific Northwest, and the controversial issue of how emergency services treat people with mental health challenges. It includes exciting stories, based on real-life events, about using rock climbing and short-haul helicopter techniques to rescue a pack string mule who fell off a trail and a mountain climber who fell off a crag, a shoot-out and its impact on park rangers, a couple drownings, an aquatic body recovery and other sad outdoor tragedies, and funny and scary encounters with bears and other wildlife. If you like Jack Kerouac, Nevada Barr, Bree Loewen, Jon Krakauer, Michael Connelly, James Dickey's Deliverance, Matthew Quick's The Silver Linings Playbook or Scott Heim's Mysterious Skin, you may enjoy Desolation Ghosts.

Sunday, November 7, 2021

Bookstore

In my fantasy world, Jeremy and I buy a building between Easton's Books and Steve the old hippie (who knew Di Prima and Burroughs) in Mount Vernon, WA, where we live upstairs with our beagles (and cats) and run Books Off Jameson downstairs, possibly augmented by a small coffeeshop or automat-drink-serviced reading area. Jeremy putters around the bookstore during the day, while I walk a few blocks to my new, exciting job (which I actually have) helping advocate for the voiceless invisibles, then come home at lunch to eat with my man and walk the dogs along the river revetment and downtown. My best friend, Rob, who works for a cool bookstore in San Diego moves up with his husband, who, like my husband, has a career in computers, and manages the bookstore. He knows everything about book retail. More importantly, we get to workshop our writing together, like we did in the old days; we get to talk about, breathe and live books. 

And maybe we publish our own books and the work of our friends, like the amazing poems of my other best friend, Sarah, that are sitting like Emily Dickinson's in drawers and journals and computers, unread, when they are truly, unbiasedly some of the most breathtaking poems I've ever read. I've never read one and not gotten the chills, and I am cold-hearted when it comes to feelings. They would probably make normal people wail.

And this is how it was done by the Beats and City Lights and the Lost Generation and Shakespeare and Company. Granted, someone had to get credibility the old fashioned way first, through legit or semi-legit publishing and hype ... and sometimes through dubious magazines and infamy. Kerouac initially carried the Beats via Sterling Lord, Hemingway had Charles Scribner, and Fitzgerald had Maxwell Perkins. It's hard to imagine the three of them sitting at their desks writing pitches and mailing off pages, but I guess they must have. 

I know agents and publishers are as important as writers. They are. An unpublished book is just scribbles on a page going nowhere. And I know I'm not Kerouac, Hemingway, or Fitzgerald, but I can still sniff along their trails, following the best I can, just in case I've put some words together in the right order to capture some ideas or emotions or information that other humans might identify with and need to hear.

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